Get all 69 Missouri State Old Time Fiddlers Association releases available on Bandcamp and save 65%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Pete McMahan - Concert at Bethel Fiddle Fest - 1989, Charlie Walden & John P. Williams | July 4th, 2013, Applebee, Walden, Griffin and Rose | LIVE at The Blue Note, 1987 Ozark Invitational Fiddle Contest | Mountain View Ozark Folk Center, Old-Time Fiddling from Western Canada, Jake Hockemeyer at KOPN | January 28th, 1984, Wheatland Music Festival - 1991, Francis Stevens | Callaway County Fiddler, and 61 more.
Missouri State Old Time Fiddlers Association Missouri
The Missouri State Old Time Fiddlers Association works to promote and preserve the traditional fiddle music of Missouri and the surrounding region. Your purchase here supports those activities.
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The Rocky Creek Ramblers
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Ken Landreth is one of my favorite banjo players of all time. This whole album is amazing! Makes me miss those hot sunny days in the Mt. Airy flatlands watching these guys shred.
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Hell Broke Loose in Volo: A Volo Bogtrotters Retrospective 1987-1991
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the aluminum wonder
by Joseph Decosimo
supported by 9 fans who also own “Sally Johnson”
This rendition of Virgil Anderson's "Jenny Hang the Kettle On" is wonderful. It perfectly grabs the simplistic beauty of Virgil's version, but has such clarity. Amazing album!
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The Toronto-based sextet make moody, cinematic sounding music that blends psych-folk and post-rock.
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Mind, Man, Medicine
by The Secret Sisters
The Alabama duo's fifth album exults in dusty Americana, showcasing rich vocal harmonies alongside blissful folk instrumentation.
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More contemplative folk from the Minnesota singer-songwriter, sustained by raw full-band arrangements and philosophical lyrics.
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Natural History
by Jimmy Triplett
supported by 6 fans who also own “Sally Johnson”
Great playing and choice of tunes. No apologies needed for your interpretations of the tunes as far as I'm concerned. I'm a player and not an ethnomusicologist or historian. I probably re-interpret every tune I learn to make it mine. I have no problem with anyone else doing the same. We wouldn't have regional styles if it this personalizing were't part of the folk process from the getgo.
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